A naked boy surveys the scene. An orange, a loaf of bread, a clock. A pair of hands, a cigarette, and a cloud of smoke. A series of nested dolls, at the center is a private ritual. The room becomes the bread, the bread becomes the boy, and the orange takes on a life of its own. The clock keeps time. - Eyeworks FestivalA naked boy surveys the scene. An orange, a loaf of bread, a clock. A pair of hands, a cigarette, and a cloud of smoke. A series of nested dolls, at the center is a private ritual. The room becomes the bread, the bread becomes the boy, and the orange takes on a life of its own. The clock keeps time. - Eyeworks FestivalShot in Sweden, the short film, ‘LAGOM: Breaking Bread With The Self-Righteous’ sees an appearance by Lhola Amira. She does not perform, she just appears. She looks a little lost in a field of flowers in bloom, a vista of beauty, yellow everywhere; she does not pluck a single flower. ‘LAGOM’ is the Swedish ethos of “not too much, not too little – just the appropriate amount.”Shot in Sweden, the short film, ‘LAGOM: Breaking Bread With The Self-Righteous’ sees an appearance by Lhola Amira. She does not perform, she just appears. She looks a little lost in a field of flowers in bloom, a vista of beauty, yellow everywhere; she does not pluck a single flower. ‘LAGOM’ is the Swedish ethos of “not too much, not too little – just the appropriate amount.”A customer service representative of a major gun manufacture, Wade Nelson, picks up the phone call of a lifetime. On the other end, of the phone is Hank Carver, an unhinged man with a motive for destruction and nothing to lose.A customer service representative of a major gun manufacture, Wade Nelson, picks up the phone call of a lifetime. On the other end, of the phone is Hank Carver, an unhinged man with a motive for destruction and nothing to lose.